To emphasize the fact Shiseido’s new WASO skincare range “harnesses the power of Japanese food and botanicals,” Dvein teamed with botanists, robot makers, and London CG mavens Analog to create this striking garden installation. [Watch]
The Mill: “Working closely with Wieden+Kennedy London and The Pelorian Brothers out of MJZ, The Mill have created a 100% CG, ultra chilled ‘dolph-a-sloth’ as well as it’s entirely CG environment for Three’s latest campaign, following the success of the first spot in the campaign featuring a sassy CG giraffamingo, also created by The Mill.” […] [Watch]
First-time directors James Allen and Mike Skrgatic at East London’s Time Based Arts combine a full compliment of their studio’s VFX, animation, and illustration talents into this spectacular 90-second opus for Honda thru Wieden+Kennedy. [Watch]
It’s Zombies versus the Fire Wolves for the Underworld Cup in this frenetic animated adrenaline rush from Le Cube thru Passion Pictures Australia and Wieden+Kennedy Shanghai for Nike’s line of kid’s bandages. [Watch]
What’s the secret to punching out of the Rio Olympics ad barrage? Start with a killer script from W+K Portland calling for A-list sports celebs, hire Prettybird directing duo DANIELS to shoot it, hand the footage to editor Angus Wall at Rock Paper Scissors, then let The Mill handle VFX and grade. [Watch]
When VFX artist Dave Fothergill released “I’ve fallen, and I can’t get up!” last year, the world suddenly realized 3D crowd dynamics could create more than rampaging hordes of Orcs and zombies: it could be funny. [Watch]
