The centerpiece of a large broadcast package for ESPN, this film by director Vitaly Grossmann and the Tendril team ramps up high-style CG to create a “graphical language that metaphorically captures the essence of the College Football Playoffs.” [Watch]
As more directors and designers added powerful and affordable 3D tools to their arsenal in 2020, the scope and quality of work continued to mature – finding broader acceptance in commercial work and exhibiting a wider emotional range. [Watch]
Directors Vitaly Grossmann and Vincent Schwenk in Hamburg, Germany: “The Microsoft Design team approached us to create a teaser for their Fluent Design System – a collection of UX frameworks for creating web and mobile apps that share code, design, and interaction behavior. [Watch]
The popularity of what we might call CG magic realism continued to expand in 2019 as more creators and clients embraced the power of hyper-real 3D to transport viewers to surreal and abstract worlds with spellbinding clarity. [Watch]
Grab a look at the preview for STASH 134 , the brilliant new addition to The Stash Permanent Collection – the unrivalled online library of motion design for advertising, music videos, broadcast and title design, brand films, game cinematics, and short films. [Watch]
Directors Vincent Schwenk and Vitaly Grossmann team with Moscow studio Superdesigners to create a striking abstract 3D brand film for German design and engineering company imat-uve. [Watch]
