Patrick Clair vs “Iron Fist”
Hot on the heels of his nightmarish opening for Neil Gaiman’s “American Gods” on Starz, Patrick Clair kicks open the doors on Marvel’s “Iron Fist” for Netlflix with this energized and inky mocap spectacle. [Watch]
Hot on the heels of his nightmarish opening for Neil Gaiman’s “American Gods” on Starz, Patrick Clair kicks open the doors on Marvel’s “Iron Fist” for Netlflix with this energized and inky mocap spectacle. [Watch]
“The Ivory Game” released worldwide on Netflix in late 2016 exposing the brutal world of underground ivory trafficking. This opening sequence, which embeds salient facts into meticulously rendered 3D, was created by Vienna VFX and motion design studio Kaiserlicht. [Watch]
Wonderful dark and textured broadcast work from Toronto design and motion house Iamstatic for the titles of “Frontier,” the Canadian-American historical series chronicling the North American fur trade of the 1700s co-produced by Discovery Channel (Canada) and Netflix. [Watch]
Dark and painterly vignettes from Mill+ open director Michael John Warren’s new Netflix doc series ‘Fearless’ which takes viewers deep into Brazilian bull riding culture and tracks the riders on their quest from Sao Paulo to the world championships in Las Vegas. [Watch]
Imaginary Forces CDs Charles Khoury and Tosh Kodama conjure a sombre and tactile intro sequence for an interactive video from Netflix Australia called “Spectrum” which promises to help you “discover your shade of story.” [Watch]
Elastic director/CD Patrick Clair‘s reputation as the go-to TV titles guy continues to grow with this brooding, scarlet-soaked effort created for Marvel’s “Daredevil” series premiering this week on Netflix. [Watch]