In 2024 the task of packaging big-budget programming remained both a high pressure assignment and a canvas for motion design innovation. These seven sequences all rose to the occasion while nudging the genre forward. [Watch]
CD Aaron Becker and the motion crew at Filmograph in Los Angeles (whose titles for The Beekeeper we featured in Stash 164) layer up a menacing atmosphere for the HBO series The Penguin. [Watch]
Working with director David Ayer (Training Day, Suicide Squad), the Filmograph motion team opens action feature The Beekeeper with a tense tapestry of antique engravings, macro photography, CG, and an infinity of hexagons. [Watch]
With so many screens vying for viewers attention, the creative task of packaging big-budget television and streaming programming has never been more important or come with so much pressure to make a dent in popular culture. [Watch]
With atmospheric macro photography and careful grading, director/CD Aaron Becker and the team at Filmograph transform the vinyl record mastering process into perfectly paced titles for the Showtime docuseries “George & Tammy”. [Watch]
Director Tim Burton’s first shot at television, the new Netflix series Wednesday, opens with these appropriately spooky and only occasionally kooky titles from CD Aaron Becker and the crew at Filmograph in LA. [Watch]
