Good Times Signs Director Ayse Altinok for US Representation
November 12, 2024
Jeremy Dimmock, CD/partner at Polyester in Toronto: “We wanted to create a story that communicates why characters are important. Something aspirational, optimistic, an anthem or manifesto for characters. [Watch]
The crew at international new media studio Ouchhh realize their 10-year ambition to merge the genius of Salvador Dali with the visual powers of AI in this installation at the IDEAL Centre d’Arts Digitals de Barcelona. [Watch]
I-reel, the Paris creative digital agency that created these beautiful films for Ulysse Nardin earlier this year is back with more lovingly rendered luxury Swiss watch action, this time for URWERK’s UR-120. [Watch]
UK broadcaster Channel 4 marks the 40th anniversary of both the network and Raymond Briggs’ instant classic Christmas special The Snowman with a sweet holiday ID featuring characters from the original program and its sequel. [Watch]
LA directing duo Nick and Lexie Trivundza test the real-time production waters with their first Unreal Engine film called BackSpace, the first chapter of a sci-fi adventure about the hunt for black holes. [Watch]
With atmospheric macro photography and careful grading, director/CD Aaron Becker and the team at Filmograph transform the vinyl record mastering process into perfectly paced titles for the Showtime docuseries “George & Tammy”. [Watch]
Join Beijing animator/illustrator KKicKK.band and his Deeeeer-Lab studio on a frantic and genre-jumping animated collaboration for GCORES, the Chinese gaming and gaming culture site. [Watch]
With the help of Georgian director/writer Lado Kvataniya and animation studio BlueCheese Team, Russian singer-songwriter Monetochka delivers a quirky, expressionist, and ultimately powerful anti-propaganda message. [Watch]
CDs Jon Berkowitz, Brad Colwell, and their crew at Aspect in North Hollywood team with Toronto illustrator Kagan McLeod to add depth and character to Marvel’s She-Hulk: Attorney at Law series with these fun end credits. [Watch]
And then suddenly, right in the middle of the CG luxury watch wars, Parisian director/illustrator Ugo Gattoni drops this playful animated fantasy for the Code 11.59 timepiece by Audemars Piguet Starwheel. [Watch]
The OFFF design conference invaded Sevilla, Spain this past weekend and kicked open the doors with this manic mash-up of typography, motion capture, and procedural animation by Laundry EP and co-founder PJ Richardson. [Watch]
Motion and concept designer João Vaz Oliveira in Lisbon: “I met David Carson in May this year at OFFF. He was already an influence on me, in terms of typography, texture, etc, but I never thought we would collaborate. [Watch]
Atlanta’s Vessel Studios have been on a 10-year mission to elevate medical animation, carefully nudging their conservative pharma agency clients toward more refined and spirited visual explanations of complex science. [Watch]
With a nod to the talents of Spanish director/artist/animator Alberto Mielgo, the team at Seoul studio Super Very More merge over-the-top action and obsessive rendering into a trailer for Krafton’s PUBG Global Championship 2022. [Watch]
