Laurent Barthelemy Interstate | STASH MAGAZINE

Psyop Alumnus Laurent Barthelemy Joins Interstate Directors’ Group as Partner

From the release: Interstate, the new award-winning directors’ group founded by executive producer Danny Rosenbloom and director Yann Mabille, is pleased to welcome Laurent Barthelemy as a Partner/Director, where he will be represented exclusively for the US market. In the director’s chair, Barthelemy will leverage his performing arts roots to craft visually-driven emotional narratives for […] [Watch]

Abu Dhabi_AD Sports | STASH MAGAZINE

Behind the Scenes on Hyper-Real Sports IDs

Frame director Anders Schroder’s love of still photography informs the look and feel for eight intricate and ambitious new IDs for Abu Dhabi Media’s AD Sports channel created in collaboration with Obeida Sidani, CD at Les Folies Design Haus in Dubai. [Watch]

Rovio Angry Birds 2 | STASH MAGAZINE

Angry Birds 2: Bigger. Badder. Birdier.

Six years, 13 spinoffs and 1.4 billion downloads later, Rovio and Wieden+Kennedy London launch Angry Birds 2 with a completely mad porcine action/comedy created by Riff Raff director Francois Rousselet and the VFX crew at The Mill. [Watch]

Stories AG_Triumph | STASH MAGAZINE

ChezEddy + Stories AG: Triumph “Find the One”

Paris animation studio ChezEddy and multiple-Tony-winning American composer/lyricist Jason Robert Brown channel the wide-eyed exuberance of the Disney princess genre for UK women’s lingerie maker Triumph in this 3D spectacular starring upcoming modeling phenom Hannah Ferguson. [Watch]

See No Evil | STASH MAGAZINE

See No Evil Presents Greg Barth

London people! See No Evil returns February 3rd featuring designer/director/artist Greg Barth. 7pm, Cafe 1001 91 Brick Lane. [Watch]

Barth_Hello Play | STASH MAGAZINE

Greg Barth’s Handmade Musical Treat

London-based Swiss designer-turned-director Greg Barth turns this promo for Hello Play (a Belgian online electronic music platform) into a fun showcase for his trademark surreal ideas and minimal esthetic, creating all the visuals in-camera using stop motion, 3D prints, and 13 pounds of white chocolate. [Watch]