London’s weareseventeen tackles an animated Easter broadcast design package for BT by “focusing on the beauty of Springtime” and avoiding the holiday cliches. But so much 3D beauty comes at a price according to creative director and co-founder Steve Simmonds, “Some of the frames took 22 hours to render on this one, probably our biggest technical wrangle to date.”
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Paris graphic and motion design company NAKED teams with ROOF in New York to create 45 richly detailed and lovingly rendered 3D broadcast bumpers for France’s TF1 network. The five-month transatlantic collaboration happened over a cloud-based pipeline built with tools like Podio.com and Amazon allowing the [Watch]
Blacklist/Paranoid director Cisma (Denis Kamioka) whisks us forward in time to document life on the streets of Brazil in 2044 and returns with this 10-minute opus for MC Criolo complete with eerie future tech courtesy of CLAN vfx in São Paulo. Check the following interview with the director to learn how this project [Watch]
Glassworks Amsterdam director Rudiger Kaltenhauser puts a frigid 3D-animated twist on the extreme macro world of fabric technology (and David Beckham’s skin) for Adidas thru the Meanwhile agency. Check Kaltenhauser’s G-STAR ‘Art of RAW’ spot for more CG macro magic plus Skrillex and a skeleton dog. Audio: Kaiser Sound Studios. [Watch]
Ambitious and snappy new CG “Coming Soon” intro now hitting Scotiabank cinemas across Canada produced in stereoscopic 3D by creative directors Anthony Scott Burns, Abdul Mohamud and the Topix crew in Toronto thru agency Capital C. [Watch]
Inspired by George Orwell’s 1984, the Snowden leaks and the Arab Spring, London animation director Simon Russell unleashes “Dysco,” his CG experiment created “with a tight link between the audio and visual elements – the intention was to evoke an experience similar to synesthesia, where sound, vision, color and [Watch]
Nexus designer/director/animator Johnny Kelly continues to demonstrate his multi-media mastery with this graphic treatment for a commission from Pivot Dublin and Dublin City Council “to promote wider acceptance and use of design as a tool for positive change” and asking “If for one day you had the power to make your [Watch]
UK artist and spoken-word performer Talia Randall’s seven-minute performance of her poem “Common Room” takes on an unpredictable new life as 13 recent graduates from Bezalel Academy of Art and Design in Jerusalem each add their own disparate and arresting animated sequences all assembled into one melancholy and affecting whole. [Watch]
The all-powerful CG/VFX team at Mikros Image in Paris help Evian and agency BETC extend the ubiquitous Baby & Me campaign with some tight Spidey moves. [Watch]
Paris illustrator/director Jean-Michel Tixier’s light touch and clean draughtsmanship ease the delivery of a serious message in this spot for Agefiph, a French organization helping the handicapped to find work. Produced through international talent agency and production company Lord of Barbès. [Watch]
Blinkink directors Joseph Mann and Andrew Thomas Huang lead a massive crew into a three-week shoot of 16 live-action puppets and animated stop-motion models for Cravendale thru Wieden+Kennedy London. [Watch]
…in a TV Spot Goes to: The agency team at Propeg in Salvador, Brazil for this VFX-free head-shaker called “Almost” produced for The Association of Transplanted Patients Bahia (BA-ATX), a Brazilian nonprofit. [Watch]
I’m not a huge fan of low-fi low-brow culture but I do like laughing (and cringing) so have a look at this NSFW music video for rap-parody duo Buckwheat Groats with VFX by Joseph Fennimore who claims: “I do a lot of motion graphic, VFX and animation work in my free time.” File under guilty pleasure. [Watch]
Good thing most of you’ve been creating music videos with no budget for years otherwise this new automated music video generation tool called Rotor could be very depressing. From the Rotor site: “Rotor is the next generation music video creation tool. It’s been handcrafted by award-winning music video directors [Watch]