Director Lea Esmaili Joins Blinkink for UK Representation
November 21, 2024
Lobo breaks out their full range of production and animation skills to yank you back and forth in time to revisit more than 20 of adland’s most-award work for the UK’s prestigious D&AD awards.
“Wish You Were Here? offers an alternate, off-kilter and somewhat belated 50th anniversary tribute to the D&AD, summing up in an unusual way many highlights from over five decades of Pencil winners, it’s also part of a broader Call for Entries campaign aimed at generating awareness and excitement around the 2015 D&AD Professional Awards.
“We didn’t want to simply create a collage of pieces in a retrospective reel fashion. Our goal was to offer a creative reinterpretation of the Awards’ heritage… all the while keeping a coherent visual identity throughout, since D&AD is notorious for its strong brand integrity.” [Watch]
Airbnb and VCCP Berlin leverage Psyop‘s design/animation/narrative skills plus the emotional resonance of the 25th anniversary of the fall of the Berlin wall to tell a daughter’s true story of her father, a West German guard during the cold war. [Watch]
Royale sets the tone for CW’s hit post-nuclear drama “The 100” with an intriguing mix of live action, CG, matt paintings and motion graphics.
Jayson Whitmore, ECD/partner at Royale in LA: “We wanted to expand on the show and give viewers a reason to pay close attention to the titles. The narrative information in each shot gives die-hard fans and casual viewers a sense of a much larger world yet to be fully explored.
“Everything from the locations to the telemetric data being displayed is pulled straight from the show’s cannon. Taking this even further, the first and last shot of the sequence will change for each and every episode.”
The pitch: Time-traveling, super-powered scientists (Freud, Einstein, Tesla, Darwin & Tapputi) travel through time fighting Nazis, renegade soviet cosmonauts and assorted scientific nemeses. The talent behind it: Tinman Creative Studios in Toronto. The Kickstarter page.
[Watch]
Mr. Munkowitz and Bot & Dolly mold the robots-meet-projection-mapping magic they developed for their 2013 triumph “Box” into a sleek series of illusions for Autofuss‘ new Audi A3 Sportback spot thru Verba. As with “Box,” all visuals are accomplished in camera. [Watch]
Vancouver’s Image Engine handles the majority of the VFX work in Neill Blomkamp’s new robot-coming-of-age feature called “Chappie” featuring an exceptionally emotive CG hero plus the genius casting choice of the decade: Yo-Landi and Ninja from Die Antwoord as the criminals who abduct him.
[Watch]
The latest film in the New York Times literate and low key ‘Modern Love’ series launched yesterday: a minimalist swirl of abstracted romance by new Vancouver studio Manyhands based on a narrative by Amy Butcher.
Director Stuart Langfield: “My goal was to tell the story without showing people. Instead the characters are represented through color, shape, movement, and some nasty weather. All of the animation was blocked out in 3D to get the basic movement locked down before rotoscoping began. Then some additional rotoscoping was added to the in-betweens, to smooth out some of the transitions.” [Watch]
UK retailer John Lewis and their agency adam&eve/DDB London team Blink director Dougal Wilson with the CG creature skills of MPC in an attempt to match the phenomenal success their 2013 holiday spot “The Bear & the Hare” (by Blinkink and Hornet directors Elliot Dear and Yves Geleyn). [Watch]
Fabrice Le Nezet and Jules Janaud (aka Mill+ directing collective Bif) launched the Playgrounds Festival 2014 last week with this title sequence reflecting the organizers’ wish “for something experimental, eclectic and artistic.” [Watch]
Looks like LG has the design world firmly in its sites with this curved 34-inch 21:9 monitor packing 3440 x 1440 resolution. The company claims the ultra-wide monitor can replace dual monitor set ups and “allows users to view the screen clearly without distortion at virtually any angle.” [Watch]
A grim puppet master and his ill-fated marionettes provide the backstory for League of Legends “Tales of the Black Mist: The Harrowing” created with careful attention to the character work and obvious delight in the macabre by director Andy Hall, CG super Max Ulichney and the Elastic crew in Santa Monica. [Watch]
I can’t understand a word this gravel-voiced veteran mining canary says or sings but the lighting and rendering are impressive. [Watch]
Gentleman Scholar show off their typographic and multi-media chops with this perfectly-paced clip for HP’s new Sprout 3D-scanning PC thru 180LA. “The vignettes were crafted to conjure both the nostalgia of physical artistry and the exciting possibilities of digital immersion, with the typography acting as a [Watch]
Misters Kwan and Scheinert‘s singular genius for in-your-face-unpredictable-mayhem continues with this new short produced by Pretty Bird and presented by DAZED starring An Interesting Ball, a handful of cosmic-mini-dramadies and some lol VFX. Don’t think. Just watch. [Watch]
