The crowded Rube Goldberg-inspired video genre gets a much-needed kick in the funny bone from 1stAveMachine director (and Rube Goldberg specialist) Bob Partington who, over the course of six and half weeks, employs molasses, a turtle, melting Popsicles and sprouting grass to create “Slow-Berg.” [Watch]
UK-based Swiss philosopher/writer/television presenter Alain de Botton reads his own script in this counter-intuitive mini-masterpiece on the benefits of a glass half empty – conjured by London director/animator/designer Claudio Salas and a crew of over 30 collaborators. [Watch]
Like old master paintings, Guillermo Del Toro’s films use a lexicon of symbols to convey subtext and back story. And so it is with this richly detailed, all-CG title sequence from his new feature Crimson Peak, created by the all-Toronto team of IAMSTATIC and Topix. [Watch]
Raw technique, nightmare imagery and themes of race and madness made Icelandic director/animator Einar Baldvin‘s intense USC thesis film “The Pride of Strathmoor” a favorite on the fest circuit: recognized at Annecy and Ottawa and awarded the Jury Prize for Best Animated Short at Slamdance 2015. [Watch]
Bombarded by so much media, we’ve all become super-confident hyper-editors – instantly sorting the stream of images into hot or not, do or delete, fraud or fake. So it’s startling to find your brain caught in a loop, cycling between belief and denial. [Watch]
Shake up your Friday with this two-minute blast of hyperactive and hallucinatory stop-motion from Blinkink director Nicos Livesey and a micro-crew of three animators for US garage-punk outfit Radkey. Produced thru Channel 4’s Random Acts art initiative. [Watch]
Powered by Anna Pickard and CD Jay Grandin’s near-poetic script, Giant Ant‘s new motion work for Slack’s collaboration platform uses candy-colored abstraction to breathe much needed life into the crowded explainer video genre. [Watch]
Here’s your chance to hit up FITC’s 2-Day FORM design event at the Chicago History Museum on Nov 2-3 for Free. Stash is giving away a pair of tix to the person who spins us the best of tale of why they absolutely positively must be there.
Just email your story of wonton creative longing to customerservice@stashmedia.tv and get ready to explore the art and act of creation with Stefan Sagmeister, GMUNK, Rama Allen, Erin Sarofsky, Mischa Rozema and 20 more brilliant presenters.
Or, you can save $100 on your admission by entering code “stashmedia” at check out to when you buy your ticket.
A heart-wrenching narrative becomes exponentially more emotional when the hero is a child. Witness “Pete’s Story,” a new chapter in the powerful body of ad work commissioned by UK children’s charity NSPCC. [Watch]
The spankin’ new Blend festival launched late last week in Vancouver with this hyper-active happy meal of clever wordplay and characters created by Gareth O’Brien and crew at Buck‘s new Sydney studio with nicely-caffeinated music and sound design from Antfood. [Watch]
Even if you’re a diehard pacifist, this promo from Mothership director Neil Huxley for the UFC world bantamweight championship btw Ronda Rousey and challenger Holly Holm will grab you by the heart and learn you a thing or two about backstory. [Watch]
Brilliant concept and exacting execution from director Carl Addy and the Mill+ crew in response to an open brief from the British Film Institute to create a fund-raising film for its mission to preserve and restore the national film archive. [Watch]
Rendered in visceral, expressionistic oil pastels and backed by layered audio fragments, Marcus Armitage‘s BAFTA nominated graduation film “My Dad,” looks, feels and sounds like an edgy and experimental NFB short from the 70’s. That’s a good thing. [Watch]
Creating hundreds of visual “boob” metaphors looks like a fun project but Totuma CD Hubert Reinfeld says creating this breast cancer awareness campaign for Lifetime Latin America was among the most difficult he and his crew have ever attempted. [Watch]