OddBeast Adds Gracie Markus, Ups Liam Conway
March 31, 2025
Hideyuki Tanaka and his Tokyo prodco Frame Graphics prove maximalist bubblegum is alive and thriving in Japan with this kooky and complex candy store of motion capture, CG and compositing for the track “Sai & Co” from Japanese fashion model and singer Kiriko Takemura aka Kyary Pamyu Pamyu. [Watch]
Supamonks, the French animation crew responsible for 2014’s infamous Holypop film, are back with another off-the-rails 3D rampage.
[Watch]
The standout in a series of three films created by Beakus director Amaël Isnard for the Royal Observatory Greenwich in London, “Seeing the Invisible” is a master class in how to make educational content entertaining, digestible and therefore memorable. [Watch]
Part of a full rebrand for UK culture-oriented TV channel Sky Arts, these 25-second IDs from MPC in London mix live action and VFX to “visualize the transformation from ordinary to extraordinary through color.” [Watch]
Meet Sofia, a 3D amalgam of 500 actual children trapped in crisis situations all over the planet, their faces merged into a scared and vulnerable young girl created for UNICEF Sweden by Stockholm agency Edelman Deportivo and Swedish VFX facility Pixel Grinder. [Watch]
Join New York prodco Dress Code for an intimate and insightful look into the life and liberty of David Carson, a singular combination of self-taught graphic designer, surfer, lecturer and free spirit. [Watch]
The 15th edition of the venerable FITC Toronto creative technology event opened April 17 with this title sequence by Vancouver’s Giant Ant. Leveraging the conference theme “Level Up,” the 2D, 3D, and cel-animated romp traces a fun revisionist history of video games packed with sly nods and clever transitions. [Watch]
Populated by impossibly cute and enigmatic characters, this frenetic promotional animation called “Zoning Tokyo” for Arts Council Tokyo was directed by Takashi Ohashi with character design and animation by Japanese manga artist and illustrator error403. [Watch]
After his lecture at Hyper Island in Karlskrona, Sweden, GMUNK reveals his ideas on the future of motion creation and collaboration styles – encouraging students to “Get their motion graphics off the screen and applied to other surfaces, other mediums.” [Watch]
A snowy night in New Jersey and some skeletal matchmoves lend an otherworldly aura in this stark and unvarnished music video from PostPanic’s Brooklyn-based director Fons Schiedon for jazz drummer and crossover artist Jaimeo Brown’s track called “Be So Glad.” [Watch]
In 2013 Austrian director Daniel Moshel unleashed a slice of campy weirdness called “MeTube: August Sings Carmen Habanera” featuring Swiss tenor August Schram, his mom Elfie and a Fellini-esque cast of misfits. Yesterday, Moshel struck again with a bigger, crazier, crowd-funded sequel. [Watch]
NYC director and former VFX artist Dan DiFelice sculpts a beautiful and redemptive film from a raw and powerful poem by Johnny “Bang” Reilly, a 51-year-old UK fighter, filmmaker and VO artist – with Framestore handling the VFX. [Watch]
How would you visualize a track from a band who calls their music “Live n’ kickin’ American folk-country music in Hebrew.” I have no idea either, but Uri Lotan and Yoav Shtibelman in Tel Aviv decided to transport the audience to a forgotten penny arcade where a wooden doll is stuck in place and time. [Watch]
With spring threatening to descend on New York, the timing of this bicycle-based 3D typographic exercise called “Type-Cycle” from London motion designer (and architecture grad) Marcel Piekarski is pretty much perfect. [Watch]
