Director Lea Esmaili Joins Blinkink for UK Representation
November 21, 2024
Roof directors Guto Terni, Sam Mason, and Vinicius Costa unleash a massive, vibrant fantasy world for this Honda spot called “The Dreamer,” realized in obsessive detail and full of unexpected and delightful moments. [Watch]
The popularity of CG acting as stop-motion paper has grown over the last five years because the analog handcraft associated with origami and the apparent low-poly modeling both provide a warmer counterpoint to the too-shiny, machine-made perfection often associated with 3D. [Watch]
High concept and striking CG execution from the all-Amsterdam team of design/production studio Onesize and ad agency TBWA\NEBOKO in this quick 20-second spot for the 100% electric Nissan Leaf called “New Year’s Resolution.” [Watch]
Vancouver narrative masters Giant Ant mix traditional animation and 3D in this updated take on 1930’s cartoons for Slack powered by the song “Count Your Blessings And Smile” written by legendary English actor, singer-songwriter George Formby and re-recorded by Toronto’s Danny Simmons. [Watch]
Bay Area freelance director, designer, and animator Elliot Lim turns his obsession with HBO’s “The Wire” into a beautifully drafted, animated homage piece that will no doubt garner attention from show runners, title designers and networks worldwide. [Watch]
Creative director Pablo Gostanian and the crew at Buenos Aires design and motion studio 2veinte unleash their talents for extreme characters and colors in these 31 short blasts of holiday fun for Disney XD. [Watch]
Director Matt Smithson and his Man vs Magnet mini-crew help UNESCO deliver an important message about the agency’s global education goals with this engaging motion work accented by a lovely muted palette and clever transitions. [Watch]
Hey, no pressure – it’s just the entire Beatles’ catalog finally available online for the first time. LA creative director Clarice Chin and the Mill+ team handles design, animation and editorial in this vivid flurry of updated iconography for BBH and Google Play. [Watch]
In March 2015, Framestore LA creative director Ben West released his phenomenal buddy-film sushi comedy “FUGU & TAKO” exploring the perils and unexpected perks of eating live puffer fish. The film and perfectly realized VFX were created while West was a director and VFX super at Robot in Sydney. [Watch]
Take a peek at four months of intensely detailed work by Oscar-nominated stop-motion star PES and his team of animators and illustrators as they recreate the evolution of Honda products with thousands of hand-rendered drawings on real live paper with pre-vis and VFX/finishing by a52. [Watch]
Dutch director Matthijs Van Heijningen hit superstar status in 2011 via his brilliant Canal+ “The Bear” spot with Mikros Image supplying the beat-perfect VFX. In early 2015, Van Heijningen and the Mikros crew re-teamed for another smart, funny, animal-centric Canal+ effort called “Unicorns.” [Watch]
Known for their character-driven craziness, Buenos Aires design/animation studio Ronda turn their talents to Cartoon Network’s “The Amazing World of Gumball,” creating this series of lunatic loops including a claymation clip by fellow Argentinians Can Can Club. [Watch]
Over the last decade, studios like Blur, Axis, Platige, and Digic have elevated the art and craft of CG game trailers to an extraordinary level. That exclusive club gained a new member in 2015 when Psyop flexed it’s 3D and narrative muscles on this trailer for Microsoft’s ReCore at E3. [Watch]
During the summer of 2015, legendary UK studio Aardman Animations acquired a majority share in NYC animation studio Nathan Love to establish their US production entity called Aardman Nathan Love. The new company created this extraordinary piece of character madness to announce the launch. [Watch]
