Building on their previous work for Microsoft (see here and here), the NotReal motion team layers up a snappy mix of graphic design, illustration, and CG to showcase how Windows 11 integrates with the daily lives of its users. [Watch]
Drawing on visual references including vintage museum dioramas and the pioneering stop-motion of Ray Harryhausen, LA director Brent Bonacorso leverages a happy accident in Midjourney into a rousing spec spot for Johnnie Walker. [Watch]
French animator and CG artist Paul Lavau (whose credits include Despicable Me 2 and Minions), teams with Paris studio Wizz to craft a trio of emotional vignettes capturing very personal memories of adolescence. [Watch]
Directors Katrina Crawford and Mark Bashore at Seattle studio Plains of Yonder offer an insightful peek at the process behind their rodent-infested titles for the new Kathleen Jordan Netflix comedy series The Decameron. [Watch]
London animation studio Shotopop may have outdone themselves with this promo for the Marvel Snap digital collectible card game as YouTube commenters are now begging Marvel for a Deadpool animated series based on this style. [Watch]
Balázs Simon’s new video for British duo Sad Night Dynamite (co-directed with Cátia Abreu) is a darkly comic conflagulation of prosthetics and nightmarish digital VFX but the good news is he just dropped Stash fans a peek into the process. [Watch]
Blinkink director Zach Tavel builds a mythological world from miniatures and models to house the godly comedic talents of Kate Berlant in this aggressively oddball launch film for California plant-based cheese brand Plonts. [Watch]
The CG sub-genre of dramatic sculptural character diorama’s sees an ambitious new chapter with this launch trailer from director Jakub Jabłoński and the crew at Platige Image for the Esports World Cup (EWC) in Riyadh. [Watch]
Working with CD Theresa Warburton and the creative team at CBC Sports in Toronto, animator/illustrator Amir Mrzae amplifies the multi-dimensional joie de vivre on display at the Paris Olympics in two wonderfully upbeat films. [Watch]
Directors Joey Recoskie and DissEmbargo (Sebastian Helene and The Dink) lead the Tendril design and motion team on this intimate peek at the F.02 robot, Figure’s second-generation model of “embodied artificial intelligence.” [Watch]
The growing (and welcome) trend of studios to passionately carry on with projects after they have been cancelled by the client continues with the release of this cutscene compilation produced by Glasgow CG mavens Revenant. [Watch]
In a welcome contrast to the reverent tone of much Olympic content, directors Jean-Yves Parent and Michael Moercant (aka 4pm) at The Mill in Paris celebrate the event with a lighthearted in-house short film cast with antique tin toy characters. [Watch]
Back Market’s in-house agency partners with Vienna’s Studio Herrström and Toronto motion house Vucko to rethink the brand’s visual identity. [Watch]
After 18 months of production, director/CD Jake Wegesin, who launched animation studio Ambient Press in 2022, just completed 16+ minutes of snappy 3D content for New Roots Films’ feature documentary God Bless Bitcoin. [Watch]