SEE main titles by Imaginary Forces | STASH MAGAZINE

Imaginary Forces Opens “See” for Apple TV+

Creative director Karin Fong follows stylistically diverse work for “Jack Ryan” on Amazon and “Tell Me a Story” on CBS All Access with these ominous/intriguing titles for the Apple TV+ series “See” which finds humans in a future without their sense of sight. [Watch]

Qualcomm Snapdragon animated commercial by MixCode | STASH MAGAZINE

Mixcode Unleashes for Qualcomm’s Snapdragon

Hot on the heels of their multi-technique work for Gogoro scooters, Taipei studio MixCode zags style-wise to deliver a jolt of hand-drawn dynamics highlighting the benefits of Qualcomm’s Snapdragon mobile game experience. [Watch]

Stuffed animated short film | STASH MAGAZINE

Start 2020 by Getting “Stuffed”

A sweet and quirky animated short about friendship and confronting your anger issues sounds like the perfect way to kick-off what’s looking to be a very unsettling year on many fronts. [Watch]

Audible Temptations commercial | STASH MAGAZINE

Audible Keeps Screen “Temptations” at Bay

Agile Films director Simon Willows and the London prodco’s animation/VFX sibling Agile Studios help position Audible as the calmer alternative to mindless scrolling in this kinetic :30 thru London agency Fold7. [Watch]

The Turning Point 17 hours agoMore Steve Cutts

Steve Cutts Hits “The Turning Point” for Wantaways

After tackling screen zombies and consumerism, London artist/animator Steve Cutts turns his talents for rendering modern dilemmas in hyper-detail toward human-induced apocalypse in this devastating music video for Melbourne musician Wantaways. [Watch]

VW Beetle The Last Mile Nexus Studios | STASH MAGAZINE

Volkswagen Beetle Travels “The Last Mile”

Director Fx Goby and the Nexus crew in London mark the end of production for the VW Beetle with an emotional multi-generation epic rotoscoped by hand and starring Ferdinand Porsche’s original 1938 design. [Watch]

Staatsloterij New Years Lottery: Freddie the Hedgehog | STASH MAGAZINE

Happy New Year from Freddie the Hedgehog

The Ambassadors’ crew in Amsterdam handled the character design, VFX, post, audio and music in this latest heartwarmer for Staatsloterij, the Netherlands’ largest lottery known for its life-changing New Year’s Eve jackpots. [Watch]

Best of Stash 2019: 3D Style | STASH MAGAZINE

Best of Stash 2019: 3D Style

The popularity of what we might call CG magic realism continued to expand in 2019 as more creators and clients embraced the power of hyper-real 3D to transport viewers to surreal and abstract worlds with spellbinding clarity. [Watch]

Best of Stash 2019 | STASH MAGAZINE

Best of Stash 2019: Short Films

The creative challenge and promise of the self-imposed brief make the short film a treasured opportunity for both professionals taking a break from client work and students trying to launch careers with the perfect graduation project. [Watch]

Best of Stash 2019: MUSIC VIDEOS | STASH MAGAZINE

Best of Stash 2019: Music Videos

If you wade deep enough into the mind-numbing tide of the music video genre, you will eventually find passionate, talented, and cynicism-free people producing innovative films for interesting musicians, cool events, and good causes. [Watch]

Best of Stash 2019: BRAND FILMS | STASH MAGAZINE

Best of Stash 2019: Brand Films

Longer-form marketing films unhampered by the limits of broadcast TV allow for deeper narratives which in turn often inspire forceful and innovative visuals. Here are eight brand films from 2019 we believe live up to that promise. [Watch]

Best of Stash 2019: EVENT FILMS | STASH MAGAZINE

Best of Stash 2019: Event Films

The creative freedom that comes with creating trailers and titles for design conferences have established these sequences as the genre of choice for visually ambitious directors. Here are seven that kept our optic nerves tingling in 2019. [Watch]

DarkAge2.0 short film by Chris Cousins | STASH MAGAZINE

Pondering the Future of Art and Media in “The Dark Age 2.0”

Brighton, UK CG artist Chris Cousins examines questions of cultural ownership and commodity in the digital age by imagining a museum of the future where access to art of all kinds is strictly controlled. [Watch]

Ritzy Animation RED holiday film | STASH MAGAZINE

Rudolph Sees “Red” in Ritzy Animation’s Holiday Film

The first in-house film from Ritzy Animation in London is a rampaging holiday tale of Rudolph’s Rocky-style comeback that required two years of toil, sweat, and reindeer grooming in between the studio’s commercial work. [Watch]