Get a jump on your spring brainstorming with this two-minute glimpse at all the motion projects packed into Stash 158, the latest design, animation, and VFX work to be inducted into the Stash Permanent Collection. [Watch]
Blinkink director Raman Djafari layers up live-action chaos and a slew of stop-motion-style CG creatures to conjure three minutes of mayhem for the “Worms” single from American singer/songwriter Ashnikko. [Watch]
Directly on the heels of their zoetrope escapade for FREENOW, London VFX force Electric Theatre Collective joins Academy Films director Henry Scholfield for some ambitious art appropriation with Coca-Cola. [Watch]
Combining live-action with seamless yet stylized CG/VFX, UK director Adam Y. K. Chan and Shanghai digital studio Ripple Group execute an adrenaline fest for Chinese luxury EV maker Human Horizons and their flagship HiPhi Z. [Watch]
Despite boasting the longest list of VFX credits we’ve ever seen for a commercial, director Mark Jenkinson and The Mill crew keep narrative and emotion firmly in the foreground of NASCAR’s ambitious 75th anniversary film. [Watch]
Plains Of Yonder directors Katrina Crawford and Mark Bashore gather the forces of London prodco Nexus Studios and Barcelona motion house Makmac for a project they call “one giant science experiment.” [Watch]
