ROOF Studio: Honda “The Dreamer” Plus Behind the Scenes

Roof directors Guto Terni, Sam Mason, and Vinicius Costa unleash a massive, vibrant fantasy world for this Honda spot called “The Dreamer,” realized in obsessive detail and full of unexpected and delightful moments. [Watch]

Ben West Fugu and Tako | STASH MAGAZINE

Best of Stash 2015: Ben West “Fugu & Tako”

In March 2015, Framestore LA creative director Ben West released his phenomenal buddy-film sushi comedy “FUGU & TAKO” exploring the perils and unexpected perks of eating live puffer fish. The film and perfectly realized VFX were created while West was a director and VFX super at Robot in Sydney. [Watch]

Canal+ Unicorns | STASH MAGAZINE

Best of Stash 2015: Canal+ “Unicorns”

Dutch director Matthijs Van Heijningen hit superstar status in 2011 via his brilliant Canal+ “The Bear” spot with Mikros Image supplying the beat-perfect VFX. In early 2015, Van Heijningen and the Mikros crew re-teamed for another smart, funny, animal-centric Canal+ effort called “Unicorns.” [Watch]

Snickers Brady Bunch | STASH MAGAZINE

Best of Stash 2015: Snickers “Brady Bunch”

Seamless and surprisingly extensive VFX from The Mill in this much-loved Snickers Super Bowl spot from O Positive director Jim Jenkins thru BBDO, New York starring Danny Trejo as a royally pissed Marcia Brady and a surprise guest star as Jan. [Watch]

Call of Duty Black Ops Elastic | STASH MAGAZINE

Best of Stash 2015: CALL OF DUTY BLACK OPS III: “EMBERS”

Director Patrick Clair and the Elastic crew team with agency 72andSunny to compile a convincing news montage stretching 50 years into the future creating an unnerving back story for Activision’s Call of Duty franchise in prep for the release of “Black Ops III” in the fall of 2015. [Watch]

Field Day The Sea is Blue | STASH MAGAZINE

Field Day Presents Vincent Peone “The Sea Is Blue”

Inspired by a life-threatening family tragedy, New York director/writer/cinematographer Vincent Peone (who co-founded the video team at collegehumor.com) leads a stellar crew on a seven-month, stop-motion and CG journey to reveal the magical story behind just why The Sea is Blue. [Watch]