Twelve months and 52 VFX artists later, fluid simulation and refracted light take on the starring role in the launch campaign for Sky Q’s wireless TV products courtesy of The Mill’s‘ striking CG work in collaboration with Biscuit director Johnny Green thru agency Brothers & Sisters. [Watch]
Paris post house Fix Studio and Quad director Bruno Aveillan infuse this French Road Safety spot with a poetic visual chaos that both counters and compliments the emotional punch-in-the-gut delivered by the script from French agency La Chose. [Watch]
Part of the global positioning campaign for Jim Beam by The Works Sydney designed to “recruit Millennials and enable them (over time) to charge a premium for their bourbon.” Shot at the Red Studios in LA by SuperPrime director Eli Sverdlov with solid VFX work by Sydney studio Fin. [Watch]
UK artist/photographer Miles Aldridge teams with Barcelona visionaries Dvein to laser target the most primal areas your brain (as well as your sense of political correctness) in this stunner for Jean-Paul Gaultier with post by Mikros Image and production by Stink Paris thru agency Mlle Noi. [Watch]
A tiny upstate New York coffee company is going to Super Bowl 50 with a big league commercial created by an A list production crew including Prettybird director Isaiah Seret and DP Claudio Miranda (Oscar winner for Life of Pi) with feature-level VFX by MPC. [Watch]
Trollbäck teaches Spotify a thing or three about partying with hand-held cameras, greenscreen, hi-con make-up, and bold typography in this ad for Spotify’s new Party app which “curates playlists from Diplo and other DJs.” [Watch]
