As ad campaigns expand and blur across a growing number of platforms, the most coveted bragging rights (and budgets) most often remain with work intended for television and cinema screens. So let’s kick off the Best of Stash 2016 with 10 stand out commercials everyone needs to see. [Watch]
Watch how Paris VFX powerhouse Unit Image, Partizan director Antoine Bardou-Jacquet and agency BETC combine forces for a VFX rampage through a French kitchen to make the case for the quality of TV channels available on Canal+. [Watch]
Wonderful dark and textured broadcast work from Toronto design and motion house Iamstatic for the titles of “Frontier,” the Canadian-American historical series chronicling the North American fur trade of the 1700s co-produced by Discovery Channel (Canada) and Netflix. [Watch]
Twelve years and 120 issues later, the Stash Permanent Collection keeps growing – delivering inspiration and insight to subscribers on six continents with access to over 4,400 outstanding design, animation and VFX projects PLUS behind-the-scenes features and exclusive Stash interviews. [Watch]
Saving endangered tigers, like all donation-powered ventures, requires a powerful emotional connection between those with the means to donate and those needing help. Mission accomplished in this spot from Partizan director Martin Stirling, the MPC CG feline team, and JWT London for The World Wildlife Fund. [Watch]
The creative power-duo of Ash Thorp and Anthony Scott Burns team with venerable Amsterdam post and production company PostPanic to take you deep into their stark a-punk-alyptic future in this ominous proof of concept short film called “LOST BOY.” [Watch]
