The bespoke type family DR Publik is designed to strengthen legibility and ensure visual consistency on all platforms for millions of users. [Watch]
Polar, the Netflix action film directed by Jonas Åkerlund and based on Víctor Santos’ comic series, winds down with this arresting end credit sequence directed by Toronto’s Worship studio and produced by Tendril. [Watch]
Setting the tone and creating anticipation for a live event, feature film, or television series is both an enormous responsibility and a cherished creative opportunity. Here’s seven title sequences that rose above and beyond in 2018. [Watch]
Motion designer and 3D artist Jonathan Lindgren in London: “In the last days of 2017, I was invited to collaborate with Sennep in London on their new iOS game Alphaputt. The idea was to create a crazy golf game mixed with typography. [Watch]
FITC’s Ideas in Motion design conference opened in Toronto this week on an intriguing note set by this title sequence crafted by hometown motion studio IAMSTATIC and a cool track by John Black at Cypher Audio. [Watch]
Ben Huynh in Long Beach, CA: “This year’s edition of 36 Days of Type. 36 Days of Type is a yearly open call inviting designers, illustrators and visual artists to share their view on the letters and numbers from our alphabet. [Watch]
