Aquaman Main on End Titles by Filmograph | STASH MAGAZINE

“Aquaman” Main on End Title Sequence

Creative directors Aaron Becker and Simon Clowes at Los Angeles prodco Filmograph crafted this richly detailed sequence of sculptural tableaux to close director James Wan’s first venture into the DC Universe. [Watch]

Block & Tackle demo 2019 motion design | STASH MAGAZINE

Block & Tackle’s New 7-Minute Reel

Longtime Stash fans know demo reels don’t get much love on this site (we’ve published a handful in 14 years). But once in a long while, one hits the inbox and makes you question what a compilation of work can and should do. [Watch]

Best of Stash 2018 Title Design | STASH MAGAZINE

Best of Stash 2018: Title Design

Setting the tone and creating anticipation for a live event, feature film, or television series is both an enormous responsibility and a cherished creative opportunity. Here’s seven title sequences that rose above and beyond in 2018. [Watch]

UPGRADE feature film main titles Substance Scott Geerson | STASH MAGAZINE

“Upgrade” Main Titles by Scott Geersen and Substance

Director Leigh Whannell’s new sci-fi feature “Upgrade” opens with the first title sequence since François Truffaut’s “Farenheit 451” (1966) to replace all text with VO. The result is both engaging and unsettling. [Watch]

Stash 132 preview trailer design animation VFX | STASH MAGAZINE
Shut Up and Dribble documentary titles by Elastic | STASH MAGAZINE

“Shut Up and Dribble” Documentary Titles

Design director Hazel Baird and the Elastic crew open Showtime’s three-part doc “Shut Up and Dribble” with a layered and frenetic treatment reflecting “the changing role of athletes in our fraught cultural and political environment.” [Watch]