In 2024 the task of packaging big-budget programming remained both a high pressure assignment and a canvas for motion design innovation. These seven sequences all rose to the occasion while nudging the genre forward. [Watch]
The NodeFest 2024 motion design event opened yesterday in Melbourne with this syncopated sequence of jazz-fueled typography by creative director Zoe Crocker and the crew at Sydney studio Never Sit Still. [Watch]
The incredible variety of motion work included in the Stash Permanent Collection is a major part of what makes it a vital creative resource, and our latest issue is a perfect example. Grab a peak at Stash 168 with this preview. [Watch]
Working with director/screenwriter Kelly Marcel, CD Karin Fong and the team at Imaginary Forces close out the Venom feature film trilogy with a “beastly parade” of corrupted creatures in this main-on-end title sequence. [Watch]
London’s Huge Designs (whose work we track here) answers the call to communicate the tone, setting, character, and context for the Disney+ TV series Rivals based on the 1980s novels by English author Jilly Cooper. [Watch]
CD Aaron Becker and the motion crew at Filmograph in Los Angeles (whose titles for The Beekeeper we featured in Stash 164) layer up a menacing atmosphere for the HBO series The Penguin. [Watch]
