New York art director John Likens redirects his considerable design skills away from his usual high-end film and TV work for a personal experiment called PRIMA “initiated after doing some R&D on different techniques inside Maxon’s Cinema 4D.” [Watch]
Directed by Alex Sherwood, Ben Harper and Sean Mullen at Giant Animation Studios in Dublin, this atmospheric CG tale of loss and longing teases out its dark secrets with pacing and cinematography designed to keep you off balance and unnerved. [Watch]
In “OSSA,” Milan director/animator Dario Imbrogno blurs the line between the making-of video and final film, not only revealing the mechanics of stop motion’s armatures and cinematography but carefully incorporating them as dramatic elements in the narrative. [Watch]
Meet Rene Fustercluck, one of two men left standing after the man-made apocalypse and the comic lynchpin of Sam Southward’s spectacular (and not altogether SFW) graduation film “After the End” produced at the National Film and Television School in London. [Watch]
Forty-four third year Bachelor of Art and Design students at the Media Design School in Auckland, New Zealand turn the jet-black humor of Edward Gorey’s “Accidents, Blunders and Calamitiesis” loose on 30 unlucky CG creatures in this mini-masterwork of seamless VFX and beat-perfect comic timing. [Watch]
Mixing the silly with the sublime, London director/designers Xander Marritt and Elias Freiberger team with FutureDeluxe to concoct a striking CG short about “the conscious and subconscious. Reality and surreality. A reflection of life, a personification of the immediacy in the way we conduct ourselves.” [Watch]
