Ulysse Nardin Freak S Nomad product film by I-reel | STASH MAGAZINE

I-réel Intros the Freak S Nomad Watch for Ulysse Nardin

The most recent collaboration between venerable Swiss watchmaker Ulysse Nardin and the team at Paris studio I-réel, weaves a mix of CG and macro photography into a sweeping launch campaign for the new Freak S Nomad timepiece. [Watch]

Bark&Bite Puff Up the Cyber Clog for Crocs

In their latest for the ubiquitous foam footwear brand Crocs, Bark&Bite in London takes a fashion-forward approach, merging live-action and 3D motion design into a quick blast of style for the Overpuff Cyber Clog. [Watch]

Hamilton Watches x Cinema by Kutuko | STASH MAGAZINE

Kutuko Keeps Time With Hamilton at the Movies

The CG motion specialists at Madrid studio Kutuko craft five intricate and scrupulously rendered scenes to showcase the deep relationship Hamilton watches have cultivated with cinema since the brand’s founding in 1932. [Watch]

Venon The Last Dance end titles by Imaginary Forces Karin Fong | STASH MAGAZINE

Karin Fong & Imaginary Forces Conjure a Beastly Parade for “Venom: The Last Dance”

Working with director/screenwriter Kelly Marcel, CD Karin Fong and the team at Imaginary Forces close out the Venom feature film trilogy with a “beastly parade” of corrupted creatures in this main-on-end title sequence. [Watch]

Rivals TV series opening titles by Huge | STASH MAGAZINE

Huge Keeps “Rivals” in the Red for Disney+

London’s Huge Designs (whose work we track here) answers the call to communicate the tone, setting, character, and context for the Disney+ TV series Rivals based on the 1980s novels by English author Jilly Cooper. [Watch]

Korb Crushes the Launch of LeBron XXII for Nike

The latest 3D motion work from Rimantas Lukavicius and the KORB team for Nike finds the Lithuania-based studio crushing symbols and icons from LeBron Jame’s career in a spot for the LeBron XXII shoes releasing this week. [Watch]