Director/video artist Kevin McGloughlin expands on the “Digi-Cut” animation and compositing experiments he deployed in his 2015 film portrait of his father called “Architect,” constructing a fluid visual cacophony for “End Of The Trail” from Dublin’s Marcus Lambkin, aka Shit Robot. [Watch]
Barcelona creative studio Cómodo celebrate the opening of the 2016 Promax Europe event in their home town by breaking out a spectrum of styles and techniques in a rollicking “Recognition of the hours of creativity and toil, to the love and passion that we all pour into each project.” [Watch]
London design studio Art&Graft step up with a 30-second blast of 3D abstraction and typography for the animated title sequence fronting AMV BBDO’s new creative showcase event titled Gunpowder, a curated screening of work across music videos, content, experiential and short films. [Watch]
Greg Hahn and the crew from NY design studio Gretel strip away all the tropes and artifice of modern broadcast branding for the launch of VICELAND “the most notorious and innovative youth media brand in the world.” [Watch]
Title design luminary Danny Yount reveals his personal take on film and TV title design with revealing insights and inspirational anecdotes from his days at Digital Kitchen and Prologue. [Watch]
Music video directing legend Marc Klasfeld (who just signed with Cavalry Productions for commercials) unveils a giddy, guilty pleasure for the AWOLNATION track “Woman Woman,” calling the video a hymn to all women, “We didn’t add any make-up, we didn’t use any big styling elements, obviously we didn’t use any clothes.”
[Watch]
