Director and motion designer Mélina Poiré in Montreal: “Motion Motion is a Nantes-based design festival offering the opportunity to discover the diversity of motion graphics through exhibitions, conferences, meetings, screenings, children’s workshops, and audiovisual concerts. [Watch]
From the team at Ordinary Folk in Vancouver: “When it came to introducing their mission to the world, Minima wanted to go for something a little outside what you’d normally expect from a web3 company.” [Watch]
From the team at Framestore: “Based on Mike Isaac’s book following the meteoric rise and fall of Uber founder, Travis Kalanick, Showtime’s new drama series Super Pumped features a one-minute title sequence created by Framestore’s Chicago studio that sets the show’s tone and energy, while introducing various themes of the show. [Watch]
While lust and envy are indeed two of the seven deadly sins, luxury brands have always relied on them to drive business. This new CG film by Milan’s SubDivision Studio for upscale eyewear maker Akoni is a beautiful example. [Watch]
Elastic creative director Hazel Baird, whose resume includes breakout title work for The Morning Show on AppleTV+ and the Showtime doc Shut Up and Dribble, sets a calm and introspective tone for the new Netflix series The Andy Warhol Diaries. [Watch]
From the team at Coat of Arms: “Our friends at SXSW invited us to create the opening title sequence for the 2022 Film Festival. It’s our fourth year collaborating together. [Watch]
Category Animation, Motion Design, The Inbox, Titles · Tags Anthony Palermo, Clara Lehmann, Coat of Arms, Florian DKS, Igor + Valentine, Jenna Coyle, Jonathan Lacocque, Klimpa, Mantas Gr, Matt Smithson, Matt Stanfield, Max Moertl, Nidia Dias, Nuria Boj, Ricardo Nilsson, Robert Kaniszewski, Robert Loebel, Ryan Butterworth, SXSW, Terence Ginja-Martinho