Guido Ponzini, a Houdini and real-time technical artist who also holds a Master’s Degree in electronic music, just dropped this powerful personal project in support of Ukraine – rendered in Unreal Engine and post-processed in Photoshop using AI. [Watch]
Veteran creative director Garson Yu and his LA team at yU+Co twist together tattoo art and neon in this opening sequence for Michael Mann’s new HBO Max series based on Jake Adelstein’s non-fiction book Tokyo Vice: An American Reporter on the Police Beat in Japan. [Watch]
The time-honored tradition of lightening up your broadcast channel branding by inviting designers, animators, and artists to re-imagine your logo continues in fine form with the new Hulu IDs project. [Watch]
Few brands have ever been as visually influential across the motion design industry as Microsoft has with its recent series of CG product films, with this newest addition by the team at NotReal continuing the signature feel of upbeat elegance. [Watch]
From the team at Giant Ant in Vancouver: “Amperity parses customer data, and we parsed their story. Then we wrapped it in a cube, and made it glow, showing how their technology can power the platforms their customers already use to successfully connect with customers.” [Watch]
LA motion house Shapes and Forms showcase the scope of their team’s many design talents in this frenetic and inclusive in-house exercise called Shapes ID 2.0. [Watch]
