Three stirring motion collages created by Spanish sound technician-turned illustrator/animator Joseba Elorza (aka MiraRuido) for Ramón Campos Iriarte’s interactive documentary “The New Promised Land” about five young Syrian refugees and their quest to start new lives far from the unbearable conditions of their homeland. [Watch]
With the addition of issue 116, the Stash Permanent Collection now features 4,400 of the planet’s most innovative and inspiring design, animation and VFX projects – plus behind-the-scenes features and exclusive interviews with the creative and production talent behind the work. [Watch]
Director/video artist Kevin McGloughlin expands on the “Digi-Cut” animation and compositing experiments he deployed in his 2015 film portrait of his father called “Architect,” constructing a fluid visual cacophony for “End Of The Trail” from Dublin’s Marcus Lambkin, aka Shit Robot. [Watch]
Barcelona creative studio Cómodo celebrate the opening of the 2016 Promax Europe event in their home town by breaking out a spectrum of styles and techniques in a rollicking “Recognition of the hours of creativity and toil, to the love and passion that we all pour into each project.” [Watch]
London design studio Art&Graft step up with a 30-second blast of 3D abstraction and typography for the animated title sequence fronting AMV BBDO’s new creative showcase event titled Gunpowder, a curated screening of work across music videos, content, experiential and short films. [Watch]
Greg Hahn and the crew from NY design studio Gretel strip away all the tropes and artifice of modern broadcast branding for the launch of VICELAND “the most notorious and innovative youth media brand in the world.” [Watch]
