From the team at Framestore: “Based on Mike Isaac’s book following the meteoric rise and fall of Uber founder, Travis Kalanick, Showtime’s new drama series Super Pumped features a one-minute title sequence created by Framestore’s Chicago studio that sets the show’s tone and energy, while introducing various themes of the show. [Watch]
While lust and envy are indeed two of the seven deadly sins, luxury brands have always relied on them to drive business. This new CG film by Milan’s SubDivision Studio for upscale eyewear maker Akoni is a beautiful example. [Watch]
Elastic creative director Hazel Baird, whose resume includes breakout title work for The Morning Show on AppleTV+ and the Showtime doc Shut Up and Dribble, sets a calm and introspective tone for the new Netflix series The Andy Warhol Diaries. [Watch]
From the team at Coat of Arms: “Our friends at SXSW invited us to create the opening title sequence for the 2022 Film Festival. It’s our fourth year collaborating together. [Watch]
From the team at Giantstep in Seoul, South Korea: “It was a great pleasure for us to work on the unveiling sequence for the Samsung Galaxy S22 Ultra.” [Watch]
Designer/director Arisu Kashiwagi, who won an Emmy for her work on the Stranger Things titles, merges character and charcoal into a layered and atmospheric opening for The Last Days of Ptolemy Grey on Apple TV+. [Watch]
