The obvious vitality and sheer variety apparent in these projects tell us one thing: 2022 was an exceptional year for designers charged with setting the tone for visual programming in television, film, and games. [Watch]
Director/designer Toros Kose in New York: “Hydra Design Labs is an automotive design studio based in California. CEO Jon Hull reached out to me about collaborating on a motion design piece that would work as the cinematic aspect of the company’s overall rebranding. [Watch]
As audiences have slipped away from traditional TV viewing, most marketers have embraced the flexibility of brand films (produced primarily for online, social, and point-of-sale viewing) as their promotional weapon of choice. [Watch]
The genre of motion design we call 3D Style (a type of CG magic realism) continues to grow exponentially, but the most exciting work still emerges from a fluid regimen of rigorous R&D, surgical curation, and emotional impact. [Watch]
From the design and CG team at Noisegraph in Madrid: “The challenge with this film was to represent in a poetic manner how the Hogo System provides the user with complete and deep rest.
[Watch]
Beer fans who flock to the 120-year-old Guinness Storehouse building in Dublin are now treated to a thoroughly modern art installation courtesy of director/CG artist Shane Griffin and local prodcos Archetype and Algorithm. [Watch]
