error403_Arts Council Tokyo | STASH MAGAZINE

Takashi Ohashi and error403 for Arts Council Tokyo

Populated by impossibly cute and enigmatic characters, this frenetic promotional animation called “Zoning Tokyo” for Arts Council Tokyo was directed by Takashi Ohashi with character design and animation by Japanese manga artist and illustrator error403. [Watch]

Phenomena Labs Jane Bordeaux | STASH MAGAZINE

Jane Bordeaux “Ma’agalim”

How would you visualize a track from a band who calls their music “Live n’ kickin’ American folk-country music in Hebrew.” I have no idea either, but Uri Lotan and Yoav Shtibelman in Tel Aviv decided to transport the audience to a forgotten penny arcade where a wooden doll is stuck in place and time. [Watch]

Old Pixar marketing tape | STASH MAGAZINE

Travel back to 1990 with this Pixar Marketing Tape

While buying gear at the auction for a bankrupt studio, animator, educator and film archivist Steve Stanchfield over at Cartoon Research spotted a VHS case labelled “Pixar Marketing Tape.” Prepare yourself. [Watch]

Oh Possum Animated Short| STASH MAGAZINE

What Really Happens When Possums Play Dead?

Inspired by an opossum living in a coffin amongst his landlord’s old halloween props, Los Angeles director/animator Justin Hilden began filling his sketchbook with possums and possum gags, “Mostly I was intrigued by their strange avoidance of trouble, a trick not unlike my own reaction to stress.” [Watch]

Bethesda_Kosinski Doom | Stash Magazine

Joseph Kosinski + Blur = Doom “Fight Like Hell”

Gaming fans have waited 12 years for a reboot of the Doom world and now they have a taste of the relentless mayhem dropping May 13 (for Xbox One, PS4, PC) with this trailer from Reset director Joseph Kosinski and CG masters Blur Studio thru agency AKQA, all powered by the dulcet tones of Swedish hardcore punk. [Watch]

FX_Simpsons | STASH MAGAZINE

Branding The Simpsons for FX in 2016

LA’s Laundry say they approached the challenge of creating new IDs for The Simpsons – arguably the most graphically identifiable broadcast property of all time – with the strategy of “keeping it recognizable visually but surprising tonally.” [Watch]