Working in tandem with Somesuch directing duo Cliqua as CDs, animation director Jocelyn Charles creates a sinister, genre-bending music video for The Weeknd that pulls influences from horror, fantasy, and disaster films. [Watch]
Working with designs by Berlin illustrator Viktoria Cichon, Strange Beast director Anna Ginsburg helps UK activist charity Fashion Revolution make the case that a living wage is not a luxury but a fundamental human right. [Watch]
Toby Castle-Smith, copywriter at TBWA\NEBOKO in Amsterdam: “It’s one of these campaigns where you throw something at the wall thinking it is going to get a few laughs and fall off, but it sticks and a few months later we’re on weekly calls with the wonderful people at Adult Swim, and it all starts to come to life.” [Watch]
From the team at Lightfarm Studios in Rio de Janeiro, Brazil: “For this project in partnership with the agency Kitchen Table for Adidas, the challenge was to create something stylized and original, with a mix of 3D and 2D techniques resembling [contemporary American artist] Hebru Brantley’s artwork. [Watch]
Merging motion capture, live-action, and 3D animation with painterly algorithmic 2D rendering, Blinkink director Balázs Simon conjures an impressionist and surprisingly emotional journey for American electronic music duo ODESZA. [Watch]
For the coming reboot of storied rock and roll print magazine CREEM, LOBO directors Mateus de Paula Santos and Thiago Martins resurrect R. Crumb’s Boy Howdy! character who lived on the pages of the publication from 1969 thru 1989. [Watch]
