Blizzard_Overwatch The Last Bastion| STASH MAGAZINE

Overwatch: Embedding Action in Emotion

The immediate success of Overwatch, Blizzard’s team-based multiplayer first-person shooter (and the company’s first new gaming franchise since StarCraft in 1998), is due in large part to a series of spectacular animated short films. [Watch]

Buck_IBM CDS Launch | STASH MAGAZINE CDS launch

Buck and The Barbarian Group: IBM “CDS Launch”

How do you sustain viewer interest for 75 seconds when you’re launching a product as dry and abstract as cloud data services for a company as massive and straight-laced as IBM? Like this… [Watch]

STATE design| STASH MAGAZINE

Style and Style Frames from STATE Design’s “Statement”

LA studio STATE Design celebrates its third year with a new space, new website and this animated self-promo piece showcasing the company’s diverse range of talents and extolling their boutique values. Have a look at some of the development art as well as the finished piece. [Watch]

Slack Traffic | STASH MAGAZINE

Giant Ant: Caught in Slack “Traffic”

The team at Giant Ant in Vancouver take their latest open brief from Slack deep into bright-and-happy land via this bouncy 3D mini-opus, with post-production from The Sequence Group, and music/sound design from Antfood. [Watch]

Nike Air Max 1 Ultra Flyknit | STASH MAGAZINE

Style Frames and Process: “Nike Air Max 1 Ultra Flyknit”

Take a peek at the stunner Style Frames and process reel behind the centerpiece spot of the new retail launch package for Nike’s Air Max 1 Ultra Flyknit shoe created by multi-talented Munich motion house Aixsponza. [Watch]

MvsM Maxon Versus C4D| STASH MAGAZINE

ManvsMachine: Maxon “VERSUS” + Behind the Scenes

Looking to make some noise at SIGGRAPH about their Cinema 4D Release 18, Maxon commissions ManvsMachine to rip the doors off the software and the results are spectacular. A fully CG film, VERSUS is jammed with startling, beautifully lit frames plus an armadillo moment I did not see coming. [Watch]