Self-driving cars garner a lot of press lately but “The Comeback” – from Stinkfilm director Stephan Wever and starring a limb-challenged CG T-Rex from Sehsucht – announcing Audi’s new piloted driving system, maybe the first ad for the genre that deserves media space itself. [Watch]
Think about high-end CG work and the Detroit suburbs probably don’t jump to mind, but over the last 20 years Armstrong White has evolved from a retouching service into a 3D force of nature for some of the planet’s biggest brands. [Watch]
Stellar character design and animation in this commercial project assignment produced in 17 weeks by a team of second year animation students at The Animation Workshop in Viborg, Denmark for the Danish NGO Verdens Skove (“Forests of the World”). [Watch]
Directed and created by weareseventeen’s Jesper Lindborg, this near-full-CG music video for the mystery music duo Kids of the Apocalypse finds “kids taking refuge in a once-flourishing American high school where psychoactive fumes are blurring the boundaries of reality. Where the wild is fusing with the digital.” [Watch]
The immediate success of Overwatch, Blizzard’s team-based multiplayer first-person shooter (and the company’s first new gaming franchise since StarCraft in 1998), is due in large part to a series of spectacular animated short films. [Watch]
How do you sustain viewer interest for 75 seconds when you’re launching a product as dry and abstract as cloud data services for a company as massive and straight-laced as IBM? Like this… [Watch]
