Fresh off his Emmy win for Outstanding Main Title Design on The Man In The High Castle, Elastic director Patrick Clair invokes a touch of future-tech terror pushing 3D printing into beautiful and ominous new territory in these opening credits from Episode 1 of Westworld on HBO. [Watch]
Moscow artist/illustrator/animator Arina Shabanova whips up a curious romp filled with peculiar characters in this new ID for Russian cable and satellite channel Paramount Comedy, all powered by an infectious track from UK composer/sound designer Max Brodie. [Watch]
Dark and painterly vignettes from Mill+ open director Michael John Warren’s new Netflix doc series ‘Fearless’ which takes viewers deep into Brazilian bull riding culture and tracks the riders on their quest from Sao Paulo to the world championships in Las Vegas. [Watch]
Imaginary Forces offers a peek into the process and passion behind three of their top-of-the-food-chain broadcast title projects. [Watch]
London motion mavens DixonBaxi rethink how the Premier League connects with its two billion football fans, constructing a striking and expansive new broadcast packaging including show titles, in-match graphics, augmented-reality, touch-screen, studio graphics, and soundtrack. [Watch]
Gabriela Badillo and Enrique Sañudo at design and animation studio COMBO, conjure a welcome mix of graphic elegance and vibrant joy in this pitch to Mexican Channel TV Claro Sports for a broadcast ID promoting the broadcaster’s coverage of the 2016 Olympics in Rio. [Watch]
