UK design mavens DixonBaxi wrap a six-month quest to reinvent A+E’s History Channel while developing “a potent new brand strategy and comprehensive design language that challenges what the brand is.” [Watch]
“The Ivory Game” released worldwide on Netflix in late 2016 exposing the brutal world of underground ivory trafficking. This opening sequence, which embeds salient facts into meticulously rendered 3D, was created by Vienna VFX and motion design studio Kaiserlicht. [Watch]
This head-snapping piece of editorial surgery marks only the second time Stash has inducted a demo reel into the Permanent Collection. The clip celebrates 15 years of branding and motion by London’s DixonBaxi, showcasing not only the breadth of the studio’s work but the process and the humans behind it. [Watch]
With over 450 scripted series airing in the US during 2016, it’s safe to say a show’s title sequence is more crucial than ever in helping it stand apart from the pack. Here’s the most interesting work we found this year plus three exceptional event titles that also deserve your love. [Watch]
The sixth season of FX Networks’ American Horror Story punches out of the hyper-crowded broadcast market with a startling intro sequence from Amsterdam 3D mavens ONESIZE. [Watch]
Wonderful dark and textured broadcast work from Toronto design and motion house Iamstatic for the titles of “Frontier,” the Canadian-American historical series chronicling the North American fur trade of the 1700s co-produced by Discovery Channel (Canada) and Netflix. [Watch]
