JL Design in Taipei, Taiwan: “This ident is for an HBO Asia channel that has both Chinese and Western audiences. We cooperated with Mixcode to use mahjong as the main visual element throughout the film. [Watch]
Yeti Pictures in Athens: “We were invited by Filmiki Productions to create the opening titles for the TV mini-series Silent Road. The result is a full 3D cinematic sequence based on the story and script of the series, but also giving a lyric and poetic point of view.” [Watch]
Four Paris-based friends (Florent Bizec, Frederic Colin, Fabien Gibert, and Sam’s Design) coil their collective talents into a moody and menacing title sequence-style passion project based on everyone’s fave mythological femme fatale. [Watch]
Get your spring inspiration on with this two-minute trailer of the 31 new design, animation, and VFX projects packed into Stash 146, the latest brilliant addition to the Stash Permanent Collection. [Watch]
Category 3D Style, Advertising, Animation, Broadcast Design, BTS, BTS, CG, Character Animation, Compositing, Explainer, Featured, Illustration, Motion Design, photoreal, Short Films, Spec work, Student Work, Titles, VFX · Tags Ariel Costa, Bemo, Bullpen, C A T K, Cassie Shao, Electric Theatre Collective, Fernando Domínguez Cózar, Final Frontier, Frame, Framestore, FutureDeluxe, Gabriel & Quemuel, Gabriel Tick, Ian Ruschel, Ink and Giants, Joe Bluhm, Joel Plosz, Joyrider, Jungler, LOOCreative, Marc Eijkelenboom, Marco Prestini, Mighty NIce, MISTER, MIXCODE, MPC, Nash, Neeraja Raj, nerdo, Nexus, Oddfellows, Pascal Schelbli, Post Office Studios, Reuben Sutherland, ROOF, Seed, Six N. Five, Spillt, STATE, Substance, swim, Tarsem, Team Tumult, Tendril, The Mill, Tom Kuntz, TONIC DNA, Trinetix Creative Studio, Vitaly Grossmann
The crew at motion graphics studio Lunapark Film in Istanbul mine the details of Turkish culture for this series of illustration-based channel IDs for TRT 2, a national broadcaster focused on arts and culture programming. [Watch]
Aaron Kemnitzer, founder and ECD at Bullpen in NYC: “Cartoon Network approached us to refresh their entire broadcast package. This included menu and end pages, lower thirds, bugs, and squeeze credits.”
[Watch]