Duncan Elms, creative director at Elastic in LA: “In these titles for AMC’s Dark Winds series, spiritual and natural forces together with the earthy textures and colors of the South West were used to create compositions and imagery invoking the show’s themes.” [Watch]
Plenty of strange things are afoot in Atlanta as the fourth and final season of Donald Glover’s multi-award-winning TV series returns to FX Networks this September. [Watch]
From the team at visual branding studio Cosmic Ray in Seoul, South Korea: “The ENA Drama channel’s concept is ‘pick’ what you want and ‘fit’ to keep through the simplified set of objects. The key color red and sub colors work harmoniously to deliver a warm and trendy tone.” [Watch]
Stash 154 just packed another two hours of brilliance into the Stash Permanent Collection (aka your streaming platform for design, animation, and VFX). Grab a peek at the 2-minute trailer and see which projects made the cut. [Watch]
In 2016, with his Emmy for Main Title Design on The Man In The High Castle in hand, Patrick Clair set out to redefine what hi-tech horror felt like with his opening for Westworld on HBO. This fourth iteration mixes familiar imagery from past seasons with stark new themes and symbols. [Watch]
From the team at Giant Ant in Vancouver: “We’ve been toiling away for the better part of a year on a broadcast package for Cartoon Network’s newly launched preschool block: Cartoonito.” [Watch]
