Outsider directors Dom & Nic: “After researching the feasibility of shooting a real black swan it became clear the best way forward for this film was to create it entirely in CG [but] we wanted to approach it with the same mentality and process that we would do a live action shoot. [Watch]
The Chicago outpost of The Mill/Mill+ expand their repertoire with this impossibly happy 2D character fest for Dairy Queen powered by a catchy ditty scripted by agency Barkley US and composed by Sam Billen at Primary Color Music. [Watch]
Brand New School crafts a powerful clip promoting Intel’s on-going quest to eliminate conflict minerals from the Democratic Republic of Congo and their global supply chain: “People should have a conflict-free choice so by starting over, reconnecting the dots across the globe, and convincing partners to do the right thing [Watch]
After four months of previs work and 126 layout attempts in 3D, Gorgeous director Chris Palmer and Glassworks CD Jordi Bares finally nailed the recursive and hypnotic three-dimensional Droste Effect (where a picture appears within itself ad infinitum) required to build “The Endless Road” for Honda’s CR-V [Watch]
Childline, the 24-hour UK counseling service for children and young people, takes on the problem of porn-overload among 10-13 year olds with a series of three incredibly frank and therefore controversial webisodes based on illustrations by James Wignall and Mina Song and animated by Alexander Shaharovsky [Watch]
Discover how Mill+ director Russell Tickner and a 30-person crew at The Mill wrangled 900 million CG Lego bricks into 100 characters all composited into live action shot over four days in South Africa to create this roller-coaster-like spot called “Awesome Awaits” for LEGOLAND thru agency BMB. [Watch]
