Beeple zero Day C4D | STASH MAGAZINE

The End is So Near: Beeple Unleashes “ZERO-DAY”

Check this intense blast of mechanical adrenaline called “ZERO DAY,” a stylized and stylish take on a near-future cyber-collapse courtesy of the Wisconsin wizard of CG aka Beeple (aka Mike Winkelmann) fueled by a killer track from standingwave (aka Kyle VandeSlunt). [Watch]

Aardman Nathan Love | Stash Magazine

Interview: Aardman Finds Love in New York

After a string of insanely fun video teasers, the worst-kept secret in the animation world is finally official: UK animation powerhouse Aardman has acquired a majority share in NYC animation studio Nathan Love to establish their US production entity called Aardman Nathan Love. [Watch]

TBWA/PARIS Michelin | STASH MAGAZINE

Behind the Scenes with Moonbot on Michelin “Parade”

Lots of innovative character work here from director Limbert Fabian (who co-directed the incredible Chipotle “Scarecrow”) and the Moonbot crew for an ambitious new Michelin campaign out of TBWA\PARIS designed “to bring Michelin’s unique tire development philosophy to life.” [Watch]

AirBnB Zoetrope | Stash Magazine

Behind the Scenes of “Airbnb: A Different Paris”

The popularity of Zoetropes is certainly linked to our current love of all things analogue: meaning handmade, warmer and somehow more honest. But now that TBWA Singapore and Airbnb have created this 12 1/2 foot-wide monster, the question becomes: Did we just hit peak Zoetrope? [Watch]

PES_Honda Hands RPG | Stash Magazine

Behind the Scenes with PES on Honda “Paper”

Take a peek at four months of intensely detailed work by Oscar-nominated stop-motion star PES and “dozens of animators and illustrators” as they recreate the evolution of Honda products with thousands of hand-rendered drawings on real live paper with pre-vis and VFX/finishing by a52. [Watch]

Antoine Delach “Ghost Cell” Trailer

One of the most intriguing short film trailers of the year, this peek at director/CG artist Antoine Delach‘s six-minute stereoscopic opus called “Ghost Cell” renders both grand and mundane vignettes of Paris as impossibly complex webs of scanned data. The nightmarish result, though scientifically generated, feels distinctly organic. [Watch]