BETC_Peugeot 2008 | STASH MAGAZINE

Behind the Scenes on Peugeot “Storm”

Nice insight into the massive and masterful water simulations from Paris VFX and post powerhouse Digital District in this :45 for Peugeot’s 2008 crossover directed by Partizan’s Antoine Bardou-Jacquet thru BETC Paris. [Watch]

Rowling_Pottermore | STASH MAGAZINE

Elastic “The Origins of Ilvermorny”

Director Andy Hall and the Elastic crew conjure an ominous and atmospheric animated tale in the studio’s second film for JK Rowling’s “Fantastic Beasts and Where to Find Them” for Warner Bros. [Watch]

Edward Gorey Accidents | STASH MAGAZINE

Edward Gorey “Accidents, Blunders and Calamities”

Forty-four third year Bachelor of Art and Design students at the Media Design School in Auckland, New Zealand turn the jet-black humor of Edward Gorey’s “Accidents, Blunders and Calamitiesis” loose on 30 unlucky CG creatures in this mini-masterwork of seamless VFX and beat-perfect comic timing. [Watch]

San Sebastian Bridge of Coexistence | STASH MAGAZINE

Making of San Sebastian’s “Bridge of Coexistence”

Anointed the European Capital of Culture 2016, the coastal Basque resort city of San Sebastian marked the honor with a sweeping and tasteful installation on the picturesque Maria Cristina bridge designed and implemented by Barcelona studio Tigrelab. [Watch]

Bananas Short Film | STASH MAGAZINE

The Secret Life of “Bananas”

Mixing the silly with the sublime, London director/designers Xander Marritt and Elias Freiberger team with FutureDeluxe to concoct a striking CG short about “the conscious and subconscious. Reality and surreality. A reflection of life, a personification of the immediacy in the way we conduct ourselves.” [Watch]

Reeps One Does Not Exist | STASH MAGAZINE

REEPS ONE “Does Not Exist”

Fun to watch even without the VR headgear, “Does Not Exist” claims to be the first music video for a track composed specifically for mixing in 3D sound. The film features London beatboxer Reeps One (aka Harry Yeff) and spatial audio created by Aurelia Soundworks with production, editorial and VFX by The Mill. [Watch]