Like old master paintings, Guillermo Del Toro’s films use a lexicon of symbols to convey subtext and back story. And so it is with this richly detailed, all-CG title sequence from his new feature Crimson Peak, created by the all-Toronto team of IAMSTATIC and Topix. [Watch]
Raw technique, nightmare imagery and themes of race and madness made Icelandic director/animator Einar Baldvin‘s intense USC thesis film “The Pride of Strathmoor” a favorite on the fest circuit: recognized at Annecy and Ottawa and awarded the Jury Prize for Best Animated Short at Slamdance 2015. [Watch]
Bombarded by so much media, we’ve all become super-confident hyper-editors – instantly sorting the stream of images into hot or not, do or delete, fraud or fake. So it’s startling to find your brain caught in a loop, cycling between belief and denial. [Watch]
Shake up your Friday with this two-minute blast of hyperactive and hallucinatory stop-motion from Blinkink director Nicos Livesey and a micro-crew of three animators for US garage-punk outfit Radkey. Produced thru Channel 4’s Random Acts art initiative. [Watch]
Powered by Anna Pickard and CD Jay Grandin’s near-poetic script, Giant Ant‘s new motion work for Slack’s collaboration platform uses candy-colored abstraction to breathe much needed life into the crowded explainer video genre. [Watch]
A heart-wrenching narrative becomes exponentially more emotional when the hero is a child. Witness “Pete’s Story,” a new chapter in the powerful body of ad work commissioned by UK children’s charity NSPCC. [Watch]
