Thirty crew, 12 weeks, six sets, plus hundreds of 3D-printed and hand-painted miniature characters culminate in director Yves Geleyn‘s intricate new stop-motion Happy Meal clip shot on Hornet’s stage in Brooklyn for McDonalds thru Leo Burnett UK. [Watch]
Director/video artist Kevin McGloughlin expands on the “Digi-Cut” animation and compositing experiments he deployed in his 2015 film portrait of his father called “Architect,” constructing a fluid visual cacophony for “End Of The Trail” from Dublin’s Marcus Lambkin, aka Shit Robot. [Watch]
Tokyo-based director Alessandro Pacciani travels to Shanghai to capture BMW’s M4 then conjures 90 seconds of vehicular adrenaline called “Factory Trailer” with the help of editor Marco Battiloro and the VFX skills of Warsaw post house Juice. [Watch]
Director/animator Fraser Davidson at London animation boutique Cub Studio and English rapper/comedian/actor Doc Brown release a handy animated guide to the deep psychological challenges of dealing with tea people. REAL tea people. [Watch]
Barcelona creative studio Cómodo celebrate the opening of the 2016 Promax Europe event in their home town by breaking out a spectrum of styles and techniques in a rollicking “Recognition of the hours of creativity and toil, to the love and passion that we all pour into each project.” [Watch]
With a brief to capture the high quality of Sony Action Cam’s slow-motion, Amsterdam director/artist duo Lernert Engleberts and Sander Plug turn to what they call the epitome of slow, “The camera is so simple to use that it could even be used by a turtle, which is how the concept came about.” [Watch]
