Behind the Scenes on Spectacular Student Film “Hybrids”

Join five students from French animation school MoPA as they reveal their inspiration, process, and the challenges they faced during their nine-month quest to create their multi-award winning CG short “Hybrids.” [Watch]

ARTE broadcast package Superunion | STASH MAGAZINE

Superunion Positions ARTE as a Cultural Magnet

Inspired by the observation that ARTE gathers and curates all of Europe’s culture, London’s Superunion developed a brand idea and broadcast package positioning the Franco-German television network as Europe’s cultural magnet. [Watch]

MIKROS:MPC_CANAL+ Comete | STASH MAGAZINE

The Grand Vision of Canal+ “Comète”

A trip into the imagination of a Canal+ screenwriter takes on full blockbuster proportions in this VFX fest from Mikros MPC Advertising and Wanda director Ivan Grbovic thru BETC Paris. [Watch]

Three Phones are Good TV commercial | STASH MAGAZINE

“Phones Are Good,” Just Look at History…

UK mobile provider Three pushes back against the growing wave of “phones are bad” haters with some speculative history lessons courtesy of Friend director Ian Pons Jewell and the VFX crew at Time Based Arts thru W+K London. [Watch]

​​​​​​​Cathy O'Neill on Algorithms RSA Nice Shit Studio | STASH MAGAZINE

RSA: “The Truth About Algorithms – Cathy O’Neill”

UK charity RSA London continues their tradition of illuminating the wisdom and insights of their live event speakers with exceptional motion design. [Watch]

THE DEVIL WE KNOW | Main Title Sequence BEN RADATZ motion design | STASH MAGAZINE

“The Devil We Know” Main Title by Ben Radatz

Director/designer Ben Radatz reteams with acclaimed documentarian Stephanie Soechtig to create the opening titles for “The Devil We Know,” her investigation into US chemical giant Dupont and their controversial Teflon product. [Watch]