Nexus director Patrick Osborne, who won the Best Animated Short Film Oscar for Feast in 2014, gives us a peek at the future of animation production with this teaser for his new real-time animated series created using Unreal Engine. [Watch]
From the team at Giant Ant in Vancouver: “Amperity parses customer data, and we parsed their story. Then we wrapped it in a cube, and made it glow, showing how their technology can power the platforms their customers already use to successfully connect with customers.” [Watch]
LA motion house Shapes and Forms showcase the scope of their team’s many design talents in this frenetic and inclusive in-house exercise called Shapes ID 2.0. [Watch]
Paris studio I-réel specializes in spectacular visuals for luxury brands and those talents are on full display in this new trio of CG films for Swiss watchmakers Ulysse Nardin highlighting the Moonstruck, Freak X, and Freak S models. [Watch]
Before a recent jaunt to his local Department of Motor Vehicles, director/animator Doug Alberts could have just griped and complained like the rest of us but chose instead to spin the “personalities, funny smells, and paperwork” into a smile-inducing song and music video. [Watch]
Combining faux stop-motion, infographic icons, and multi-frame layouts into a quirky feel-good narrative, Latitude Du Printemps was created by six students as their grad film at Supinfocom Rubika in Valenciennes, France. [Watch]
