The obvious vitality and sheer variety apparent in these projects tell us one thing: 2022 was an exceptional year for designers charged with setting the tone for visual programming in television, film, and games. [Watch]
Following on their epic 2022 Easter short film, director Damian Misiura and crew at Platige Image in Warsaw return to space (and the Unreal Engine pipeline) for this feel-good Christmas adventure. [Watch]
As audiences have slipped away from traditional TV viewing, most marketers have embraced the flexibility of brand films (produced primarily for online, social, and point-of-sale viewing) as their promotional weapon of choice. [Watch]
The genre of motion design we call 3D Style (a type of CG magic realism) continues to grow exponentially, but the most exciting work still emerges from a fluid regimen of rigorous R&D, surgical curation, and emotional impact. [Watch]
Trunk director Rok Predin walks Stash fans thru the complexities – both technical and creative – of animating the rerelease music video for “Here, There and Everywhere” from The Beatles’ landmark 1966 album Revolver. [Watch]
Director Brian O’Donnell at The Mill Design Studio in NY: “‘The Very VERY First Christmas’ is a deep dive into holiday nostalgia – a take on Rudolph the Red-Nosed Reindeer starring a bright-eyed pterodactyl who hasn’t quite learned to fly. [Watch]
