Just when we zoetrope fans were despairing as to when the next hypnotic spinning confection would land, Sixty40 director Simon Robson sends us this feel-good, CG-disguised-as-cake spot (with 3D by Heckler), part of a three-spot campaign produced thru Sydney agency JOY. [Watch]
For many animation fans, Nexus director Conor Finnegan stole the show on Oscar night with this CG and live action ode to unexpected friendship for Android’s “Better together. Not the same.” campaign through Droga5 called “Rock, Paper, Scissors.” [Watch]
Elastic director Patrick Clair describes his opening titles for the new BBC/AMC co-production The Night Manager as, “A visual collision of exquisite luxury and industrialized violence. Aesthetics, destruction, death, wealth and economics intermix.” [Watch]
1stAveMachine pulls together legendary character designer Wilfrid Wood and London animation studio Red Knuckles to help FCB Inferno London and mega-publisher Pearson focus attention on how many of the planet’s biggest problems stem from the fact three-quarters of a billion humans cannot read or write. [Watch]
Written, directed and animated by Brazilian CG talent André Holzmeister, “Malak and the Boat” is the first in a new animated series sponsored by UNICEF thru agency 180LA called Unfairy Tales designed to highlight the trauma suffered by the youngest victims of the Syrian refugee crisis. [Watch]
London designer, visual artist and filmmaker Fabrice Le Nezet says his new animated 3D short film “Pump” (with music by Paris electro artist Azel Phara) started as a typographic research project inspired by primitive alphabets. [Watch]
