Like old master paintings, Guillermo Del Toro’s films use a lexicon of symbols to convey subtext and back story. And so it is with this richly detailed, all-CG title sequence from his new feature Crimson Peak, created by the all-Toronto team of IAMSTATIC and Topix. [Watch]
Bombarded by so much media, we’ve all become super-confident hyper-editors – instantly sorting the stream of images into hot or not, do or delete, fraud or fake. So it’s startling to find your brain caught in a loop, cycling between belief and denial. [Watch]
Nexus wunderkind director Johnny Kelly talks to Stash about pulling together 100+ artists, designers, craftspeople, architects, engineers, scientists and musicians; assigning them each a scene, then merging it all into a hypnotic brand film for Dropbox. [Watch]
Unless you’re a package designer, paperboard is just not something you’re likely to think about much. Stockholm animation house Happycamper and their client Iggesund, a venerable Swedish paper company founded in 1685, hope to change that with this poetic CG work emphasizing the firm’s ecological outlook. [Watch]
Based on a sketch by Leo Burnett art director Eugene Kolkey, Tony the Tiger hit grocery stores and the airwaves in 1951 and has since helped kids with all sorts of problems. Now, hoping to attract an older demo, Tony tackles work-related ageism with a 43-year old named Candy who admits, “she ain’t no spring chicken.” [Watch]
Director/VFX artist Sam O’Hare relies on a background in architecture/design and the tiny but seriously talented crew at his NYC studio Parachute to push this spec, all-CG Tesla spot into need-to-watch-again territory. Attention Elon. [Watch]
