Follow Munich motion house Aixsponza for three rounds of style frames, feedback and changes with the Global Brand Design team at Nike Sportswear to nail the look and feel of their recent CG opus, a 50-second product film for Nike’s Techfleece line. [Watch]
New on the Stash radar: Cornel Swoboda, a digital artist from Munich, Germany, living in Melbourne, Australia who spends a goodly amount of his time developing personal projects like this haunting short called “And Then I Vanish.” [Watch]
Self-driving cars garner a lot of press lately but “The Comeback” – from Stinkfilm director Stephan Wever and starring a limb-challenged CG T-Rex from Sehsucht – announcing Audi’s new piloted driving system, maybe the first ad for the genre that deserves media space itself. [Watch]
Think about high-end CG work and the Detroit suburbs probably don’t jump to mind, but over the last 20 years Armstrong White has evolved from a retouching service into a 3D force of nature for some of the planet’s biggest brands. [Watch]
Stellar character design and animation in this commercial project assignment produced in 17 weeks by a team of second year animation students at The Animation Workshop in Viborg, Denmark for the Danish NGO Verdens Skove (“Forests of the World”). [Watch]
Directed and created by weareseventeen’s Jesper Lindborg, this near-full-CG music video for the mystery music duo Kids of the Apocalypse finds “kids taking refuge in a once-flourishing American high school where psychoactive fumes are blurring the boundaries of reality. Where the wild is fusing with the digital.” [Watch]
