If, like us (and most of the planet), you were enthralled by the refractive magic of the spec title sequence “Organic Machines” by Beijing visual designer Zaoeyo (Xiaolin Zeng), then you’ll certainly appreciate his luminous all-CG opening for Pause 2017. [Watch]
Here’s a little counter-programming for inauguration day 2017, a snappy two-minute peek at the 31 new animation, VFX and design projects included in Stash 121 and now part of the Stash Permanent Collection. [Watch]
In the rush of 2016 holiday spots you may have missed this one (we did): the migratory adventures of an intrepid Scandinavian Robin brought to life in impeckable feathery detail by Rogue director Sam Brown and the VFX crew at The Mill in London. [Watch]
If you’ve ever felt like your job resembles a treadmill or your labor qualifies as a commodity, you will identify with the robots in “Vicious Cycle,” a delightful new short film from Michael Marczewski, a motion designer and director at ManvsMachine in London. [Watch]
Join Korean graphic designer Jaewoo Lee as he gives us a glimpse into how and why he made “Draw the Imagination,” a branding exercise for his yet-to-be design studio created during his studies at Visual Design Art School in Seoul, South Korea. [Watch]
“The Ivory Game” released worldwide on Netflix in late 2016 exposing the brutal world of underground ivory trafficking. This opening sequence, which embeds salient facts into meticulously rendered 3D, was created by Vienna VFX and motion design studio Kaiserlicht. [Watch]
