If you’ve ever felt like your job resembles a treadmill or your labor qualifies as a commodity, you will identify with the robots in “Vicious Cycle,” a delightful new short film from Michael Marczewski, a motion designer and director at ManvsMachine in London. [Watch]
Join Korean graphic designer Jaewoo Lee as he gives us a glimpse into how and why he made “Draw the Imagination,” a branding exercise for his yet-to-be design studio created during his studies at Visual Design Art School in Seoul, South Korea. [Watch]
“The Ivory Game” released worldwide on Netflix in late 2016 exposing the brutal world of underground ivory trafficking. This opening sequence, which embeds salient facts into meticulously rendered 3D, was created by Vienna VFX and motion design studio Kaiserlicht. [Watch]
Vitaliy Shushko, a director/animator/artist from Saint Petersburg, Russia leapt onto the Stash radar in Jan. 2015 when he released the teaser for his first film called “X-Story.” [Watch]
Most often fueled by passion rather than proper budgets, music videos are the wild west of media genres – a place where passion and promise more than compensate for a director’s lack of experience or connections, or both. Have a look at the nine most intriguing examples Stash published this year. [Watch]
In the Stash world, brand films cover a swath of commercial work appearing online, in-store, out-of-home, or on any other screen not identified as TV or cinema. Often occupying the mid-ground between short films and advertising, the best brand films offer ambitious narratives and/or bold stylistic choices. [Watch]
