Elastic: “At long last, Elastic is thrilled to share the Main on End for Marvel’s Ant-Man and The Wasp, from creative director Andy Hall and the team. [Watch]
The pigment used to print the labels onto Absolut’s 2018 limited edition Love bottle are made from the ink stripped from signs and banners gathered at far-right hate rallies on three continents. [Watch]
NY director/designer John Likens (who just won the 2018 Emmy Award for Outstanding Graphic Design and Art Direction for his work on the doc “Blood Road”) reveals how his CG title sequence for “Deadpool 2” came together at Method Studios. [Watch]
Join five students from French animation school MoPA as they reveal their inspiration, process, and the challenges they faced during their nine-month quest to create their multi-award winning CG short “Hybrids.” [Watch]
Inspired by the observation that ARTE gathers and curates all of Europe’s culture, London’s Superunion developed a brand idea and broadcast package positioning the Franco-German television network as Europe’s cultural magnet. [Watch]
Death and dismemberment don’t rank high on the list of confectionery ad strategies but in the hands of Wieden+Kennedy São Paulo and the animation crew at LOBO, the macabre melts into the ridiculous and that is a welcome thing. [Watch]
